2007-2012 The band now entered a new era of collaboration as Tivo remained in London and Bishop relocated to Beijng China. Charly set up a home studio and started working on the series of London demos for a project intended to be a double record or two records conceptually intertwined. As Gerald had not participated on the original demos, the scope was mainly to make two instrumental conceptual records where the voice was used as another instrument, with no lyrics.
However, Le Vow resume rehearsing sessions in 2008, 2010 and 2012, creating demos for future records.
In 2012, Marco Salinas left the band and was replaced by long time friend of the band and Marcos drumming teacher, Ramiro Lobaton (aka Ramer), driving the percussive force of Le Vow to a more complex and powerful direction due to the fact that he is very highly skilled,
2013 With a more steady collaboration from Ramer, and a few guest musician “Places for Ambar Passions” was produced, recorded and mixed in Le Vow’s home studio.
2014 Early in the year, the record had a low key release and one concert for long time fans of the band, that still managed to follow the bands career, along with a limited edition release of 100 copies of the album.
2015-2017 As the next record “Icono moncromatico” was meant to be played along with a series of visual projections, the following years of work involved shooting original footage and editing, taking more time that originally planned, The album was also arranged, recorded and produced by Le Vow in their studio.
More demo rehearsing sessions took place with the complete band in 2015-2017.
2018 “Icono Monocromatico” is released in February and played live along with the visual arts created for this record, The concert was held in the “Cinemateca Boliviana” a movie theater, this time to a larger audience of fans, The show was praised by fans and critics as their best show to that date, even though the concert was exclusively the last LP.
Encouraged by this experience the band focused on completing their next record which had been in process for many years, with the idea of returning to a more simple sound.
